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STEVANUS MARIA LETSOIN BLACK SWEET WEST PAPUA

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STEVANUS MARIA LETSOIN yang dikenal dengan STEVEN LETSOIN dan pimpinan BLACK SWEET, lahir di ‘kampung TERI’, Pulau ‘Kimaam’ (Merauke) tahun 1954 dimana orang tuanya bertugas sebagai guru disana. Di awal tahun 70an, merantau ke Fak-Fak sampai menyelesaikan pendidikan SPG disana. Di Fak-Fak pula beliau mulai bermain musik sebagai pemain Bass.  Sebenarnya beliau sudah mendapatkan tempat tugas sebagai guru di Agimuga tetapi tahun 1977 berangkat ke Merauke dan tertahan disana. Di Merauke mulai bermain di Band The Mars sebagai gitaris dan juga vocalis. Album perdana BB yang baru saja keluar saat itu, beliau yang menyanyikannya di band.  Hanya setahun di Merauke, berangkat ke Jayapura dan kuliah di UNCEN lalu bergabung di band UNCEN bersama Eddy Pattipeiluhu, Robby Manengkey dan Yan Ulukyanan, juga di Band BPD Irian Jaya. Setelah Harry Letsoin & John Keff datang dan bergabung, mereka bermain di Band KODAM XVII Cenderawasih sampai berangkat di Jakarta dan dikenal denga
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A pioneer in the world of African American music education, Harriet Gibbs Marshall

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A pioneer in the world of African American music education, Harriet Gibbs Marshall was born in Victoria, British Columbia on February 18, 1868, to Mifflin Wistar Gibbs and Maria Ann (Alexander) Gibbs. In 1869, her family moved to Oberlin, Ohio. Marshall began her study of music at the age of nine and continued the pursuit at the Oberlin Conservatory of Music, where she studied piano, pipe organ, and voice culture. Graduating in 1889, she was the first African American to complete the program and earn a Mus.B. degree, which at the time was Oberlin’s equivalent of a Bachelor of Music degree.
Marshall trained in Europe after graduating and, in 1890, returned to the United States to found a music conservatory at the Eckstein-Norton University, an industrial school in Cane Springs, Kentucky At the beginning of the 20th century, Marshall held the position of supervisor for the District of Columbia’s African American public schools, Divisions X-XIII, and served as the divisions’ director of music.
To provide African American students with advanced musical training within the conservatory structure, she founded the Washington Conservatory of Music in 1903. It was later renamed the Washington Conservatory of Music and School of Expression when the school expanded to include drama and speech. In establishing a school exclusively operated by African American musicians for the advancement of African American education, Marshall realized a lifelong goal.
Harriet Gibbs married Napoleon Bonaparte Marshall, a Massachusetts lawyer, in 1906. Together, they promoted her conservatory, but his career would eventually draw her away from her work in music education for years at a time. In 1922, she accompanied her husband to Haiti, where he was sent by President Warren G. Harding to be a part of the U.S. legation. They lived there for six years, during which time she founded the Jean Joseph Industrial School in Port-au-Prince and worked extensively with Haitian social welfare charities.
After Napoleon Marshall died in 1933, Harriet Marshall refocused her attention on the Washington Conservatory of Music and School of Expression. In 1937, as an expansion to the conservatory, she founded the National Negro Music Center as a resource to both promote creative work and to preserve traditional African American music. Marshall’s conservatory was a landmark in the history of black education. The Center sponsored regular concerts for the black community, trained many prominent musical professionals and attracted the nation’s most talented musicians as teachers. It remained in operation until 1960.
Harriett Gibbs Marshall died on February 25, 1941 in Burrell’s Private Hospital in Washington, D.C. She was seventy-three years old.
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